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Sharknado (2013)

REVIEW BY: Jeffrey Long


Company:  The Asylum

Runtime: 88 mins

Format: Screener

Plot: When a freak hurricane hits Los Angeles, thousands of sharks have no trouble terrorizing the waterlogged populace, but then when the high-speed winds also form tornadoes, nature’s deadliest killer rules water, land, and air.

Review: I know a lot of people love shark movies, but personally I'm just getting sick of them at this point, because the B-Movie genre is just getting over-saturated with them these last few years – they've become the easy go-to B-movie monster and I've gone on plenty of rants in the past about how we need to move away from them and give some other animals the spotlight. Luckily it seems that is finally starting to happen, seeing as how we've been getting plenty of good spider and dinosaur movies lately and a few less shark ones. Likewise, it's no secret that I'm just not a fan of Asylum's natural disaster movies. I give each one a shot, but I seem to find them all too similar to one another to really be of interest anymore and I also find that those are the ones that seem to have the laziest writing and the laziest acting and pretty much the laziest everything and I can't really muster up any interest for them anymore. 

With that stuff in mind, you can probably see where I'd be super cautious of Sharknado, a movie that combines both those genres into one movie – however, even I can't deny how damn eye-catchy and attention-grabbing that awesome title is, and when Asylum sent me a screener of Sharknado to review...well, I have no qualms in admitting that I was actually pretty excited to sit down and spend an hour and a half with this flick when I got home from work.


And boy, what a fast hour and a half it was! The movie started with a bang and never let up, only getting more and more insane (in a good way!) as it went on. It moved at such a quick pace that it was over before I even realized how much time had actually passed, and let me tell you – Sharknado doesn't waste any time at all. I was expecting the main event of the movie, the promise of the awesome poster art's flying sharks bringing down destruction onto a city to happen in the final 20 minutes or so as things often do in these movies, but I couldn't have been more wrong. It opens on a scene of sharks swimming in the ocean and getting picked up by the massively strong winds of a gigantic massive hurricane (Hurricane David, actually – which could be a coincidence but I'm willing to bet it was a nod to David Rimawi and David Michael Latt, the two main head honchos of The Asylum), which was directly followed by a scene of a fishing trawler getting caught in the whipping, whirling, teeth-gnashing shark-filled hurricane on its way to making landfall, and before the movie hits the 20 minute mark the hurricane and its army of hungry pissed off flying sharks has made landfall and rains destruction and chaos down, starting with a beach and its resident bar and boardwalk, and moving further inland from there, so literally from the opening seconds the movie has jumped right into its main plot and only escalates – no beating around the bush with this one!

Oh, and yes, the movie comes with just as many WTF moments as you would expect a movie called Sharknado to bring to the table; We have scenes of sharks flying in through windows, high winds knocking a Ferris wheel off its holdings and rolling down a street while at the same time sharks are falling down from the sky around it and trying to munch down on people, one of the sharks being knocked out by a bar stool being used as a bat, sharks swimming through a flooded Los Angeles and viciously attacking cars and chowing down on pedestrians, a shark shooting up into the air from out of a manhole only to get blasted mid-air by a shotgun blast, the main cast breaking into a hardware store and arming up on guns, chainsaws, and homemade explosives to battle the shark infestation, and of course the actual title mash-up itself of swarms of sharks being tossed around through the air by three giant F5-category tornadoes with all the damage, destruction, death, and fun moments of campy cheese that you would expect from such an amazingly unique sight!

The only part of these scenes that I found a bit iffy though, was during the flooding of Los Angeles, the water level as to how much of the city is flooded at any given time seemed to change from scene to scene. In some scenes the water was half-covering vehicles and deep enough for fully-grown sharks to be swimming around and playing Jaws in, while in other parts there's hardly any water (or even none) covering the streets, and certainly nowhere near enough for sharks to be fitting into. In addition, toward the end when the characters are trying to throw some bombs into the middle of the tornadoes to make them dissipate, both the people in the helicopter flying towards the tornadoes, as well as the people on the ground shooting up at the flying sharks, got waytoo close to the tornado – seriously, they were all pretty much inches away from these gigantic F5-category tornadoes and their hair wasn't even so much as blowing around, much less them getting sucked up into it, which is what should have happened being so close to the funnels. But hey, just some minor nitpicks in an otherwise uber-cheesy and just plain fun portion of the movie.


None of that cheese though would really be worth a damn if the special effects were utter crap, but thankfully they're not. There are a few weaker moments for it scattered here or there, but for the most part it's certainly above-average for the usual Asylum fare, though about on-average with the best of their 2013 selection (such as Age of Dinosaurs and the upcoming Atlantic Rim). Much like with 2-Headed Shark Attack they used practical effects for close-ups of sharks munching down on people and some of the shots of their fins moving through the water, but CGI for the wide shots as well as for the shots of sharks either swimming underwater or being whipped around through the air, and both types looked pretty good most of the time. Another part of the effects that certainly deserves a mention here is that the storm effects in the first part of the movie, as it approaches from the distance, were very well done. In retrospect that may have even been real storm footage that was just seamlessly integrated, or perhaps they actually filmed in front of an approaching storm, but if neither of those are the case then those dark skies and thick foreboding clouds were really well done CGI moments that had you almost feeling the humid winds approaching.

Another thing the movie surprised me with a bit was that it does a good job of very quickly establishing all the characters and making you care for them enough so that you're actually a bit sad to see them start getting offed. As I said above, the movie is in full-swing of its insane unique plot by 20 minutes in, and already by that point it has you feeling like you know the main cast and makes you genuinely care about what happens to them. And don't necessarily assume you know who will survive and who will die, because the movie has a knack for throwing some potential curveballs in there in that regard. I suppose that's also just as much a testament to the strong acting as it is the writing and directing as well – pretty much everyone here shines pretty brightly and never did take me out of the moment with any bad acting, which is made even more surprising by the fact that many of the characters are played by Unknowns that have very little previous acting gigs. 

Of course there are a few decent-sized names here as well, as there normally are in Asylum movies so they can slap their names onto the cover art. We have Ian Ziering as the main lead, most known for his voice work as lead characters on the classic animated series' Biker Mice from Mars and Godzilla: The Series, with Tara Reid playing his ex-wife that he does not get along with well at all. Sadly, Tara Reid is not aging all that well. She still looks beautiful with enough make-up on, but all those TMZ-reported-on nights of drugs and parties has not been so kind to her, making her look far older then she actually is. Admittedly though, she was a bit better then I was expecting her to be with this; I was totally expecting her to be nothing short of a painful trainwreck to watch and listen to, but thankfully she isn't. Hell, even though her line delivery is pretty bland most of the time and she may not be the best actor this movie has to offer, I'd still say she turned in a better performance here then she did in Uwe Boll's Alone in the Dark almost ten years ago. In addition to them, there's also John Heard playing a hilarious comedic relief character that's an old drunk who is a regular to Ian Ziering's bar that jumps in the car with them when all hell breaks loose, and Jaason Simmons from Baywatch playing one of Ian Ziering's friends and not nearly as much of a womanizing asshole as I was initially expecting him to be, and actually turning out to be one of my favorite characters in the whole thing.

And sure, most of these actors play their roles and act their way through all these insane shark-related situations pretty straight-faced, but sometimes playing things straight-faced in an otherwise really cheesy movie just adds to the cheese, in my opinion!


As I mentioned at various points earlier in my review, Sharknado may have a couple iffy parts here and there that made me scratch my head probably more then I was intended to as opposed to embracing it (changing water levels of the flooded city, characters getting within inches of a strong tornado with no repercussions, a couple minor shots of CGI that wasn't quite up to par with the rest), but the good far outweighs the bad, and with buckets of cheese just oozing from every pore of screen time. I never thought in a million years that if you took the two sub-genres that I'm utterly sick of, and combined them together into one movie, that it would result in a damn good time and just the revitalization I needed to feel for both shark movies as well as natural disaster flicks. Honestly, a movie like this is almost above review, because you get exactly what you expect a low budget movie called Sharknado to give you; If you love the title, you'll probably love what the movie has to offer, and if the title is something that makes you groan instead of laugh, then you're probably better off just staying away because the movie gives you all the cheese you would expect out of that title. Between Age of Dinosaurs already being out and Atlantic Rim coming out soon, followed shortly after (hopefully) by Sharknado, it looks like Asylum has a damn fine summer for 2013, with hopefully just as fine of a rest of the year to follow.

As to when you can expect to be able to add Sharknado to your home DVD and/or BluRay collections, sadly no release date (or even trailer for that matter) has yet to be announced, however if I was to take a guess I would place my money on late-July/early-August sometime, but that's nothing more then my own speculation. I do know however, that it will be airing on the SyFy Channel as one of their SyFy Original Movies and is currently set to air on the night of July 11th. As soon as a home video release date is announced though, along with a trailer, I'll be sure to edit this part of the review to include them.

In the meantime, enjoy another picture! (July 10th Update: Trailer added below picture now!)

8/10 rooms in the Psych Ward



 

100 Below Zero (2013)

REVIEW BY: Jeffrey Long


Company:  The Asylum

Runtime: 90 mins

Format: Online Streaming Via Space Channel

Plot: When a chain of volcanic eruptions rips through Europe, the enormous ash cloud blocks out the sun, plunging the continent into a new ice age. An American couple must find their college-aged kids and get them out of Paris before it freezes over.

Review: There's nothing like coming home from a long and hard day at work to find out that an upcoming movie from your favorite B-Movie production company has hit the online interwebs early, for free and legally, via the website for the TV channel Space, Canada's affiliate for SyFy. This great revelation was brought to my attention via the lovely Shannon The Movie Moxieso really, it's just as much because of her that I'm able to bring you this early review of 100 Degrees Below Zero (or just simply 100 Below Zero as some sites call it – not really sure which is the official one, seeing as how Asylum's own website and IMDB each list a different version of the title) as it is Space for putting it up in the first place. If you live in Canada, you can head on over to hereto check that out (For a limited time, and with a few commercial breaks), but if you live outside Canada the link is probably Region-Locked and thus you'll have to wait for the official DVD/BluRay release on June 11th.

Now first off, I'm sure I'm not the only one to find it weird that Asylum is releasing a winter disaster movie in the middle of summer. Like seriously, that seems like a missed opportunity to not release this kind of movie in the winter, where the natural ambiance of wet snow beating against your windows while watching this could add that bit of extra oomph. As it is, I'm also not usually a fan of Asylum's disaster movies, and after Age of Dinosaurs earlier this month set the bar for my expectations when it comes to future Asylum movies, 100 Degrees Below Zero had quite a few hurdles to jump over for me.  


A good way to win me over is to have a good and well-acted cast, and that is one thing this movie can proclaim it has loud and proud. We have the always-entertaining John Rhys-Davies as a military General that's keeping an eye on this weird weather phenomenon and in charge of evacuating all the important people of the area. Most people know him from Lord of the Rings, B-Movie fans know him from plenty of SyFy movies like Sabertooth and the later Anaconda sequels, but I will forever know him as The Professor from Sliders – Long live Sliders! It was nice to see a military General in one of these movies actually be a nice guy and not the stereotypical asshole they tend to be in these things, so props for that. It also helped that John Rhys-Davies was actually laugh-out-loud funny at times, especially with his perpetual shock at pretty much any news that was delivered to him – the guy can rock these kinds of movies all day and night, and make every last minute of his screen time enjoyable.

We also have Jeff Fahey (Lost, The Eden Formula, last year's SyFy movie Alien Tornado, Operation Delta Force) once again taking up the role of a pilot, which is quite the nice treat for those of us who are die-hard Lost fans, along with Sara Malakul Lane (Sharktopus, Asylum's 12/12/12, the upcoming Jurassic Block) as his daughter and a couple pretty unknowns as Jeff Fahey's son and new wife, but the fact that they are unknowns is not a testament to their acting as, much like with the others I've mentioned, they were actually surprisingly good actors. Jeff Fahey's kids here are college-age and are actually going to university in Paris, which pleasantly surprised me as that for once, the main focus of this movie is actually not in the U.S. but in France. Normally these kinds of movies (Asylum-made or not) take place in the U.S.A., so it was a nice change from the norm to have this take place largely in Paris. The actors for his kids also had great chemistry together which made their scenes that much more fun to watch, even though Sara Malakul Lane's accent kept slipping in and out, but I can overlook that as she was better then I expected, plus she's just an overall adorable cutie. There are other people and characters in the movie, but they're all pretty crappy to be honest, and pretty much exactly what you would expect from a movie like this.

In all honesty though, it's quite impressive that the acting is as good as it is, because what they're given to work with isn't much – the dialog they have to spew is just painful to listen to, because it's so unrealistic and just not how real people talk. Sentences are very awkwardly-structured, and more often then not filled with piles upon piles of run-on exposition that is not even delivered in any realistic fashion. I can overlook that if it was only in a couple scenes, but the majority of the movie is filled with that, so I'm amazed the actors did such a great job with such crappy dialog.


But the real reason B-Movie fans would be watching a movie like this isn't for the actors or dialog – sure, when those things turn out good, it's an extra bonus, but the real reason people tune into these things are for the fun scenes of disasters. Well...we kind of actually don't get a whole lot of those with this one – For the first hour of this short hour and a half movie, all we get is one scene of some falling hail of larger-then-normal proportions (which admittedly comes with a fun beat of Sara Malakul Lane soccer-kicking one away), and a small earthquake....

...And that's it

We do see the aftermath of some major big destruction, but we never actually get to see it happen on-screen, which is a major cop-out seeing as how that's the kind of stuff people are wanting to see in a movie like this. Even during that final half-hour, we don't get much more then that, just one scene of some rushing water flooding a tunnel and a bit of really high wind for the climax that knocks over the Eiffel Tower, and nothing more then that. Hell, the title isn't even accurate! For a movie titled 100 Below Zero, the main characters roam the 'destroyed' city in nothing more then t-shirts for the majority of the time, with not even their breath showing! 100 Degrees Below Zero, my ass.

As for the special effects for these very few scenes of disaster, well they're a mixed bag. Some are better then others, but overall they're not the worst I've seen from this company but they're also nowhere near the best either. The falling hailstones and rushing water was decent, but there was also some truly terrible green-screen work going on in some scenes, even scenes that didn't really require it as there wasn't even anything going on in terms of disasters, just a couple characters walking down a street. Even the scenes where the CGI was decent, such as in the aforementioned moments, it was just kind of a bit of wasted effort since the scenes are so few and far between, and only last about 60 seconds or so.


My anticipation wasn’t very high for this title, but I still had a smidgeon of hope that maybe it would be better then the other recent Asylum disaster movies like Super Cyclone, 40 Days and Nights, or 500 MPH Storm. While this movie certainly had a better, more well-acted cast then any of those, and that cast all had great chemistry with one another, plus the film started off seeming like it would be a better movie at the beginning, but it ended up loosing all of the leeway by having a boring script with no really fun disaster scenes, and hardly any disaster scenes, period, which is the one thing those other movies actually did kind of well, even if their effects work wasn't the greatest for those scenes. Add to that the annoyingly atrocious dialog and this is yet another Asylum-made disaster flick that can probably just be skipped.

3/10 rooms in the Psych Ward


Metal Tornado (2011)

REVIEW BY: Jeffrey Long


COMPANY: Capital Productions

RUNTIME: 97 mins

FORMAT: T.V.

PLOT: The Helios Project is a high tech facility tasked with storing and converting solar rays into an endless supply of renewable energy. After years of research and millions of dollars, it is now time to test the system out, which inadvertently unleashes a magnetic vortex on an unprepared world.

REVIEW: I'm not normally a big fan of the natural disaster type of B-movies. I love the scenes of destruction, but overall I find the movies are nearly identical to one another and pretty interchangeable and thus if you've seen one, you've seen them all. At its core, Metal Tornado is no different. However, it at least attempts to be a bit fresh by having the tornado be made of metal, thus making it even deadlier then a regular tornado. See, in this movie, due to a design flaw in this new potential way of gathering unlimited free energy from passing solar flares, an invisible vortex of magnetic energy is created, which of course then attracts anything metal - Hardware tools, storage shelves, propane tanks, chainsaws, even vehicles, to name just a few things we see; Anything and everything that has metal in it, all sucked in, dismantled, and taken apart in a matter of seconds, with the individual bits and pieces whipping around in a destructive roaring mass of metal, which as you can probably guess, leads to some very awesome low budget cheap CGI scenes of cheesy destruction and the very drawing point for these types of flicks. And yes, there is plenty here, all of which are pretty entertaining and fun. Hell, they even try to destroy it by firing missiles into it. Yes, you just read that correctly - they try to stop a tornado by firing missiles at it. That alone is reason enough for any B-movie lover to at least give this one a once-over.


However, the movie is constantly bogged down with too many scenes that take place entirely in the same couple of small enclosed rooms, as the main human characters sit around computers trying to figure out a way to track the tornado and put a stop to it. It also doesn't help that these are the exact same kind of characters we get in every natural disaster B-Movie, complete with the stereotypical sub-plot of single parent that works too much while also trying to raise a rebellious teenager. We do get a couple entertaining side-characters, such as a bad-to-the-bone biker chick, but they're far from enough to make the movie worth it, even if they do have a couple good scenes and some funny dialog. Even Lou Diamond Phillips, a man I normally enjoy the work of, even seemed pretty bored and 'blah' about being in this one, and doesn't really give us a reason to get excited here.


If you haven’t seen too many of these, then this is as good a one as any to start with, if not even slightly more recommended then most of the others, if for nothing more then the hilarious-cheesy premise and some of the unique destruction scenes. However if you're like me and watch multiple movies like this a month, then even though the disaster itself is unique and pretty fun, there's nothing else about this movie that sets itself out from the pack of hundreds of other nearly-identical disaster B-movies and you'll just find yourself bored as you've already seen these exact events and character subplots play out many times over before. 

5/10 rooms in the Psych Ward


 

40 Days And Nights (2012)

REVIEW BY: Jeffrey Long


COMPANY: The Asylum

RUNTIME: 86 mins

FORMAT: Netflix


PLOT: When a colossal tectonic shift causes the sea level to start rising, a microbiologist gathers the DNA of as many species as she can, while the military creates an "ark" in a desperate attempt to preserve life on Earth.


REVIEW: 40 Days And Nights is flat-out one of Asylums weakest efforts of the entire year, tied with probably Super Cyclone. It very much feels more like a movie they would have put out in 2010, and if that was this case I probably would have been much more lenient on this as it would have come from an era where their movies weren't much better then this, but this year has been filled with plenty of exceptional Asylum movies that have had above-average effects, acting, and production values, so taking all of that into account this is just a huge step back in all of those departments (with the exception of the Brittany Murphy look-alike Monica Kenna, who always brings her A-game and is a joy to watch). Even the editing is quite sloppy and disjointed here.


However the one good thing about it is that the script itself is the lone saving grace. It's actually a really good story, filled with likable characters, caught in tension-filled situations, and padded with some really good and entertaining individual scenes and moments. If you can look past everything else, at least the story itself is serviceable - this is a prime example of a movie sounding way better on-paper then it does in practice.

As it stands, overall this feels very much like a 2009/2010-era Asylum movie and not a 2012 one. It would have been excellent for that era, but the bar has been raised much higher over the course of 2011 and 2012 that this just doesn't cut it anymore because I know that the folks at Asylum are capable of much better now. Between this and Super Cyclone coming out almost back-to-back, it does not paint a pretty picture for Asylum's final quarter of 2012, which is a shame since the rest of this year has seen some amazing stuff by them.

3/10 rooms in the Psych Ward



Super Cyclone (2012)

REVIEW BY: Jeffrey Long


COMPANY: The Asylum

RUNTIME: 89 mins

FORMAT: Netflix


PLOT: When a super cyclone threatens the entire American eastern seaboard, a lone meteorologist and a petroleum engineer must battle the elements to stop the threat.


REVIEW: No way to beat around the bush here, Super Cyclone was pretty below-average Asylum fare, so if you're familiar with The Asylum, you already know what to expect - Horrible acting even from previously well-established actors, dreadfully-written and delivered dialog, gigantic plot holes and leaps in logic, quite questionable science, and very low-grade effects (even by this company's very low standards) - but damn, there are some truly FUN cheesy scenes of mass destruction in a way that only Asylum can do. For instance, the hurricane/super cyclone in one scene has sucked up tons of spilled oil from a rig out in the ocean that had been destroyed by it, so there's all these gallons of oil whipping around in this storm...so what happens when it destroys some power lines when it reaches the city and a spark goes off? Yeah, a hurricane of roaring friggin' fire devestating everything in its path, and raining down chunks of fire hail as well - Awesome!


Sadly, apart from a few scattered entertaining scenes like that (none of which quite reach that level of campy fun again), there really is not much to like here and if you're not generally a fan of Asylum then I can't really recommend this to you. Hell, even as a fan of Asylum I'd probably still suggest just skipping this one.

3/10 rooms in the Psych Ward



 
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